The Routledge Companion to Puppetry and Material Performance

Autor(es): POSNER, Dassia N.; ORENSTEIN, Claudia; BELL, John
Título: The Routledge Companion to Puppetry and Material Performance
Publicação: New York: The Routledge Companion, 2015
ISBN: 978-1-138-91383-7
Assunto(s):
Teatro de Marionetas -- História e Crítica
Teatro de Marionetas -- Teoria
Teatro de Marionetas -- Performance
Teatro de Marionetas -- Dramaturgia
Teatro de Marionetas -- Robots
Teatro de Marionetas -- Wayang Kulit
Teatro de Marionetas -- História -- Europa

Índice | Table of Contents | Table des Matières

List of Figures – xi
Notes on Contributors – xvi
Acnowledgments – xxi
Foreword by Kenneth Gross – xxiii

Introduction
Dassia N. Possner, Claudia Orenstein, and John Bell – 1

Part I
Theory and Practice: edited and introduced by John Bell – 13

Section I: Theoretical Approaches to the Puppet – 17
1. WILLIAMS, Margater – The Death of “The Puppet” - 18
2. PIRIS, Paul – The Co-Presence and Ontological Ambiguinty of the Puppet – 30
3. BELL, John – Playing with the Eternal Uncanny: The Persistent Life of Lifeless Objects – 43

Section II: Perpective from Practitioners – 53
4. BASS, Eric - Visual Dramaturgy: Some Thoughts for Puppet Theatre-Makers - 54
5. JONES, Basil - Puppetry, Authorship, and the Ur-Narrative - 61
6. GREF, Alexander; SLONIMSKAYA, Elena - Petrushka’s Voice – 69
7. REINIGER, Rike - “Clouds Are Made of White!”: The Intersection of Live Art and Puppetry as an Approach to Postdramatic Children’s Theatre – 76
8. BREHM, Kate - Movement Is Consciousness – 84
9. KAPLIN, Stephen - The Eye of Light: The Tension of Image and Object in Shadow Theatre and Beyond – 91
10. LASKO, Jim - The Third Ting – 98
11. SCHUMANN, Peter - Post-Decivilization Efforts in the Nonsense Suburb of Art – 105

Part II
New Dialogues with History and Tradition: edited by Claudia Orenstein - 111

Section III: Revisiting History – 115
12. WEST, Amber - Making a Troublemaker: Charlotte Charke’s Proto-Feminist Punch – 116
13. POSNER, Dassia N. - Life-Death and Disobedient Obedience: Russian Modernist Redefinitions of the Puppet – 130
14. MORSE, Lisa - The Saracen of Opera dei Pupi: A Study of Race, Representation, and Identity – 144
15. LAW, Jane Marie - Puppet Think: The Implication of Japanese Ritual Puppetry for Thinking throught Puppetry Performances – 154
16. HILBORN, Debra - Relating to the Cross: A Puppet Perspective on the Holy Week Ceremonies of the Regularis Concordia – 164

Section IV: Negotiating Tradition – 177
17 -COHEN, Matthew Isaac - Traditional and Post-Traditional Wayang Kulit in Java Today – 178
18. FOLEY, Kathy - Korean Puppetry and Heritage: Hyundai Puppet Theatre and Creative Group NONI Translating Tradition – 192
19. ORENSTEIN, Claudia - Forging New Paths for Kerala’s Tolpavakoothu Leather Shadow Puppetry Tradition – 205
20. HLEDÍKOVÁ, Ida - Integration of Puppetry Tradition into Contemporary Theatre: The Reinvigoration of the Vertep Puppet Nativity Play after Communism in Eastern europe – 218

PART III
Contemporary Investigations and Hybridizations: edited by Dassia N. Possner – 225

Section V: Material Performances in Contemporary Theatre – 229
21. TAYLOR, Jane - From Props to Prosopopeia: Making After Cardenio – 230
22. BRANDES, Dawn Tracey - “A Total Spectacle but a Divided One”: Redefining Character in Handspring Puppet Company’s Or You Could Kiss Me – 245
23. SMYTHE, Robert - Reading a Puppet Show: Understanding the Three-Dimensional Narrative – 255
24. SUSSMAN, Mark J. - Notes on New Model Theatres – 268

Section VI: New Directions and Hybrid Forms – 279
25. POULTON, Cody - From Puppet to Robot: Technology and the Human in Japanese Theatre – 280
26. SEARLS, Colette - Unholy Alliances and Harmonious Hybrids: New Fusions in Puppetry and Animation – 294
27. JOCHUM, Elizabeth Ann; MURPHEY, Todd - Programming Play: Puppets, Robots, and Engineering – 308
28. MARGOLIES, Eleanor - Return to the Mound: Animating Infinite Potential in Clay, Food, and Compost – 322
Index - 336